![]() using the “select colour range” command or the “magic wand” tool) and then filled with black. The beads could not be selected automatically (e.g. Its beauty lies in the fact that the 3D varnish imitates the beads that make up the mask in the image. A great example here is the cover created for “Dia de Muertos”. However, there are certain circumstances where you aren’t given a choice. Working with brushes is neither the fastest nor the most precise way of achieving your objective. To do this, choose hard brushes with a 100% K value. There possibly isn’t a more obvious method than “manual” filling in of the areas we want to enhance. Part of a cover – the layer to be printed Watch this video to find out how to do this. We’ll skip the workspace preparation phase for the cover design. Let’s have a look at the tools used to create the effects shown in our booklet of enhancement samples. This time, we won’t go through the process of creating a cover from start to finish. These areas should have defined contours with no blurring. The process is completed successfully when you come away with a file (or files) with points displaying a 100% K value. First of all, it’s worth knowing from the beginning what effect you want to achieve. ![]() ![]() All you have to do to complete the process successfully is to remember a few important things. It’s only a little more complicated due to the more options offered by the program. Creating a mask for enhancements in Adobe Photoshop isn’t much more difficult than creating it in Adobe Illustrator.
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